The Secret Language of Comics: Visual Thinking and Writing

When You Watch Too Many Experimental Films in One Week…

As far as true stories go, this one’s rather false. The specifics at least are rather contrived, but I guess “the essence” — if I can use that word without being branded pedantic and pretentious — is true … in a way. Also, I definitely bit off a bit more than I could chew with this project, and I was most definitely influenced by the plethora of experimental flicks I had to watch for my FILM 270 class this past week, so looking back on this crazy creation, I don’t know how proud I ought to be; probably a very minuscule amount, if any.

The story I chose to tell, that of a reader noticing the words on the page reflecting his life before his eyes, was chosen primarily from my want to experiment with the growing size of the panels that this project required. The increase in length from Panel 1 to Panel 2 (the visuals appear the same online, but each panel doubles in size as the comic goes along) reminded me of opening a book, and the following increase in height from Panel 2 to Panel 3 mirrored the act of looking up from said book. I tried to make the reflective nature more abstract and slightly more disturbing as the comic goes along, with the plot becoming uncomfortably illogical and peculiar as the panels grew. Furthermore, the final panel shows a mix between the once lower-words and upper images, as if the two sides finally had no choice but to come together as one. I know I have, to put it lightly, artistic limits when it comes to creating clear, complex visuals, so I tried to adapt by accompanying these images with reflective words and making the blurry uncertainty a goal. It kind of got a bit too crazy by the end, but I guess that’s what makes it “The Book of Life.”

Note: My name is most certainly not Albert Scott.

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