The Secret Language of Comics: Visual Thinking and Writing

What Love Is

For this week’s sketch assignment, I chose to record a short conversation with my four-year-old cousin Cindy through a comic. It was one of my busiest days and I was staying up late working on my philosophy paper on the subject of Love. Suddenly, I received a FaceTime invitation from Cindy. Even though I was so stressed at the moment, her sweet voice never failed to brighten up my day. And when she told me she loves me, it was the best moment of my life. However, as adults, we tend to have this mindset that Love is too heavy a word that a kid might not truly understand the meaning of it (as if we do). To my surprise, my cousin gave the most perfect answer I have ever heard about what love is. As simple as it was, it struck me so hard that I would never forget about it.

This conversation got me thinking about how we tend to complicate things as we grow up. As we focus more and more on logical concepts and definitions, we forget to listen to what our heart has to say, and that might be the one true answer we have been looking for all along. Since this true story gave me such an interesting insight, I knew it was something I wanted to portray. 

I think the most difficult part of telling a true story through a brief comic is that life isn’t always dramatic, and most of the time, true stories can be slightly less exciting than fictional ones. When I was making my comic, I was aware that depicting a FaceTime scene can be boring since the “camera” is fixed. Therefore, I tried to use different background colors for different panels, and I also created a fantasy effect (I tried my best) for the last panel to make the narrative more visually attractive. 

The Happiest Place on Earth

A few weeks ago I took a trip down to Florida to spend the day at Disney World with my sister, my mom, my mom’s friend, and her children. As someone who isn’t used to being around many children, it often got very tiresome listening to their arguing, complaining, and just overall incompetence. Throughout the day, one of the children continuously fell behind our group as we traveled through the busy park and eventually we could no longer find her. Her mother rightfully began freaking out and searching all over the surrounding area. Five or ten minutes later when we were about ready to send out a full search and rescue party she nonchalantly walked back up to us with a turkey leg in her hand and not a care in the world. When trying to decide on a story for my comic I thought back to this moment with the suspense and unexpected ending and knew it would be the perfect one to share. Having a very limited space to recreate this story I wanted to focus on the overall progression of the events. I centered in on the initial reactions, the development of the settings, and the unanticipated ending that arose. The Tell a True Story Assignment gave me the opportunity to look back at the past few weeks and find the event which would best be framed into a comedic short comic. I really enjoy this particular memory and thus this assignment as well.

Last Friday Night

Telling a true story in so few panels with so few words felt less like writing a “story” and more like writing a moment. The moment I chose was my Friday night when I accidentally slept through everything and me and a friend ended up watching movies on my floor all night instead of going out. My week was pretty uneventful, and the anticlimactic nature of this particular moment/day in my week encompasses that feeling. The most important choices I made in making this comic were choices of which moments to frame. I tried to make it so that panels work and progress the story along even if they have no text.

Cousins? More Like Monsters…

When starting my thought process for this assignment it was funny to me that this was the first thing I thought about to use to create my true story. Yes, this story is 100% true. No add-ons, nothing exaggerated, pure truth. To explain it in words, when I was younger my three very evil and older guy cousins would be over my house all the time and would basically bully me in my own home. This particular time they decided to pull a prank on me because I really wanted to go to the park but they wouldn’t take me but they tricked me into thinking we were by leading me outside and towards the park. Unfortunately, towards the park is also towards the train tracks at the end of my street. And thats where they put me and ran away without me.

It’s a sad funny story that I occasionally remember but I make them pay for it now that I’m older by having them buy me things of course. Since they wanted to be monsters when I was innocent this is what happens. Drawing the comic was a hilarious moment for me as well because I got to give them all evil faces which makes it even more funny when you have no idea whats going to come next in my opinion. This has been one of my favorite comics and assignments thus far.

A Story From The Museum

Last week, as I was thinking of a story to use for this assignment I was working my shift at the museum. Just as I was thinking that there might be an event at work that I could use I saw a kid dismiss an artifact and ask to go home. Upon observing this I wondered if different people would react differently to the same piece. By the end of the day I noticed that people’s reaction varied drastically. In an attempt to tie all the different encounters together I created an affirmation comic. While the first two panels after the cover panel show negative reactions or dismissals towards the artifact. The comic ends with two panels that show that all artifacts (or people) are beautiful and valuable to the right viewer.

When You Watch Too Many Experimental Films in One Week…

As far as true stories go, this one’s rather false. The specifics at least are rather contrived, but I guess “the essence” — if I can use that word without being branded pedantic and pretentious — is true … in a way. Also, I definitely bit off a bit more than I could chew with this project, and I was most definitely influenced by the plethora of experimental flicks I had to watch for my FILM 270 class this past week, so looking back on this crazy creation, I don’t know how proud I ought to be; probably a very minuscule amount, if any.

The story I chose to tell, that of a reader noticing the words on the page reflecting his life before his eyes, was chosen primarily from my want to experiment with the growing size of the panels that this project required. The increase in length from Panel 1 to Panel 2 (the visuals appear the same online, but each panel doubles in size as the comic goes along) reminded me of opening a book, and the following increase in height from Panel 2 to Panel 3 mirrored the act of looking up from said book. I tried to make the reflective nature more abstract and slightly more disturbing as the comic goes along, with the plot becoming uncomfortably illogical and peculiar as the panels grew. Furthermore, the final panel shows a mix between the once lower-words and upper images, as if the two sides finally had no choice but to come together as one. I know I have, to put it lightly, artistic limits when it comes to creating clear, complex visuals, so I tried to adapt by accompanying these images with reflective words and making the blurry uncertainty a goal. It kind of got a bit too crazy by the end, but I guess that’s what makes it “The Book of Life.”

Note: My name is most certainly not Albert Scott.

Modern Solitude

Modern Solitude

Compared with “telling a true story”, I would change it to “telling a true moment” due to the limited space I have for this assignment. No matter it is a story or a moment, it has to be true and meaningful enough to record it as a short comic. But I do not live in a drama so I believe to find a meaningful moment should be easier. I looked for some strong and special feelings that I felt in the past moments.

The moment represented above was on my last birthday. It was the coldest day so far this year and I had been working on all kinds of assignments and staying up late for many days. I was tired, cold, and stressed, waiting for the last shuttle alone. After midnight, my family and friends were bombing my phone with their love and wishes, which created that interesting feeling at that moment. I knew I was being cared for and loved by many, and I felt touched and grateful. On the other hand, no one would know what I was experiencing, and I would not share it. I just felt like I should not. In that sense, I was isolated. My phone but not people was the closest to me, which is powerful but also has its own limitations.

There are not many words and it is just about the feeling. And I decide to call it the “Modern Solitude”.

 

Assignment Link: https://eng181f19.davidmorgen.org/assignments/sketches/sketch-7-tell-a-true-story/

Marlie’s Thoughts 2019-11-24 23:30:19

When we discussed this prompt in class, I had this experience the night before and knew I wanted to use it. I am in Meor, a club that had Jewish speakers come and speak about modern-day Judaism. During a few of the sessions I have wanted to ask this question about the acceptance of homosexuality, but only with this speaker did I feel comfortable enough to do so. She is a popular Orthodox speaker and dating coach and discussed her journey in becoming Orthodox after college and her dating life advice. She only spoke about the relationships between men and women, but she also mentioned that she minored in Women’s Gender Studies in college, so I thought this would be the best opportunity to ask about homosexuality. I wanted to draw the reader in with one of the funny things she said, like date foreign boys, and then have the comic take a turn towards serious content. I realized this discussion doesn’t have the most interesting visuals, but that gave me more opportunity to focus on drawing something other than stick figures. 

Sketch 7: Quadriptych

You’ve made a one-panel image with your avatar, combined two images with your combophotos, and made a traditional three-panel comic like those that used to dominate the Sunday funnies sections of newspapers. This week, I’d like you to make a 4-panel comic like the ones that are currently dominating web comics.

As Peter Rubin argues in Wired, “Four-panel strips have been a fixture since early 20th-century newspaper comics like Mutt and Jeff and the concomitant appearance of yonkoma (“four-cell”) manga in Japan. It’s the perfect three-act-structure: You start at one end, develop conflict in the middle two panels, and resolve with a punch line at the end. But thanks to a number of factors—not least of which is the rise of Instagram and Reddit—a gridded, two-by-two variant has come to dominate the internet.” Notice that the four-panel comic, Rubin claims, still has a three-act structure.

You probably already know examples of such 4-panel web comics. You might check out the comics of Nathan Pyle or comics such as “Humpty Dumpty Had a Great Fall.”

WholesomeNsuchArt

Then make your own four-panel square comic. Just like with your triptych, you should still focus on telling a story with a beginning, middle, and end and you are still free to use photographs or to draw in whatever style you’d like. Focus, again, on compact, playful storytelling.

You can combine the four images into a single one or you can publish them to your post as separate images. In order to create a square in the WordPress block structure, you’ll simply need to add 2 “columns” blocks to your post and then hover over the top of each column block to add an image.

Step one: Add a Columns layout block
Step two: Add an image to each block

Column blocks are found in the “Layouts” section of the block selector. They allow you to format your blog posts with columns, to which you can add images or paragraphs of text or embed other elements and so on.

Like with your triptych, add a paragraph of text reflecting on your quadriptych comic. Describe the composition process a little bit. What was challenging about this assignment? How is crafting this sort of comic strip different or similar to the triptych? How was it different to have the middle act stretch across two panels rather than one? Why did you tell the kind of story that you did?

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