The Secret Language of Comics: Visual Thinking and Writing

A Visual Representation Of What Not To Do

The plot of this comic was fairly easy to craft because the story it depicted was fresh on my mind. It just so happened that earlier this week I got into a boarding accident that shattered my phone screen. And with every passing day I’m reminded of my accident as I struggle to view any and all content through my phone.

Recreating the story in a four panel comic was slightly more difficult because I wasn’t sure what aspect of the story was worth a panel. With only four panels to capture the entire incident, each page had to be substantive. Therefore, I decided that setting the scene was very important so I took two panels to make sure the reader was aware of what conditions I was skating under in the story. It also required a bit of thought when figuring out how to illustrate the crash. A lot happened in a very short period of time so I felt the best way to capture the overall moment was to give an overarching perspective of how the crash ended. The final panel was used to portray the damage caused to my phone. One might think that the crash would be the grand finale and that might’ve been the case if I’d seriously gotten injured. However the price I’ll have to pay to get a new phone is what hurts the most.

To-Do or Not To-Do

To-Do or NOT To-Do
By
Ja’Mya Yancey

This Sunday Sketch simply displays what runs through my mind as I slowly approach midterms. I hit the weekend with so much hope and so much relief and I know that I have so much to do still. Yet, somehow I end up on my beanbag chair with food in front of me watching some waste-of-time movie on Netflix instead of doing work or studying. The inner scholar in me is represented by the angel, and the inner scholar in me is often disappointed by my actions.

At first I had no idea what to create for this assignment because I hate having to draw something. But I honestly knew I had no other choice. Once I found out what I wanted to do, I couldn’t help but laugh because it was like drawing a comic about myself. The entire time I continuously giggled at the fact that this is exactly how it happens in my mind. I still have to study for midterms, and I have two in one day, but I could bet that after I finish this assignment the cycle is going to continue. I’m often extremely organized but following through with my lists and schedules is still something I have to work on.

Sketch 10: Tell a True Story

Due: 10/20

Tag: sk10

In the week or two leading up to this assignment, be on the lookout for a moment that is worth representing in a comic — watch for some sort of small adventure you might take, or a conversation you are part of, or a conversation you hear, and as you come upon them take notes for yourself and maybe make quick little sketches or take photos to capture images for later. Your story does not need to be momentous. You do not need to be able to fully grasp its significance, such as it is. But watch for a story that seems to be a little window into some sort of meaning or that might show something interesting to readers.

Then create a short comic that portrays that moment as truthfully as you can in a way that combines both words and images.

If you’d like, you can make a comic with words to only a few images. Or you can make a comic with only a few words. You can use photographs or draw something or create some other sort of visuals. You can tell a funny story or a sad one, or draw on other emotions.

The only two firm requirements are that your comic needs to have words and images and it needs to show something true … with the full understanding that “truth” is a complicated and contested state of being. (Your story does not have to be a true war story; it only needs to be true.)

That said, I’d like you to try to make your comic in 5 panels. Take a sheet of 11×17 drawing paper if you have it (you can do this with 8.5×11 instead, simply adjusting the measurements that follow) and fold it in half along the longest side so you have a folder page that is now 8.5×11. Fold it again along the longest side, so you’ll have a booklet that is 8.5×5.5. Then fold it again in the same manner two more times.

Think of the front cover of that tiny booklet as your first panel and draw the initial image and words for your story. You don’t have a lot of room to hook your reader, and you have to compel her to unfold to section 2. So make it good.

Then open that booklet and draw the second panel on that space that is twice the size. You’ve got a little more space — use it wisely. Fold it open again and draw the third panel on the space that is doubled again. Write something that earns the space. Give the reader enough they they want to flip to the next part. And again for the fourth panel. You should try to not only use the space, but to also ramp up the excitement in each section. And then again, as the fifth and final panel now takes up one side of an entire page. The largest section should contain not only the largest number of words, but also the most exciting content.

Once your comic is completed, publish it to your site as a post. If you follow the method above to create a five-panel comic, scan each panel and upload it as a series. Feel free to include some pictures of your entire book too.

Write a brief reflection about your writing process for this post. How did you know when you had found the right story for your comic? How difficult was it to tell a true story in a brief comic? What were the most important choices you made along the way of creating your comic?

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